NEW YORK (RNS) — In 2012, Erika Menendez shoved Sunando Sen, 46, onto the New York City subway tracks in front of an oncoming train.
“I pushed a Muslim off the train tracks because I hate Hindus and Muslims ever since 2001 when they put down the twin towers I’ve been beating them up,” she is quoted as having told police shortly after the fatal crime. Sen was born in India and raised Hindu.
In popular culture, New York City is often portrayed as distinctly secular. But “City of Faith: Religion, Activism, and Urban Space,” a new exhibit at the Museum of the City of New York, suggests that the city — and the public spaces, scents, acts of solidarity and, yes, the hate crimes therein — can’t be understood without religion.
“I think religion is a subtext in the various spaces and conversations where we imagined it to be absent,” the exhibition’s curator, Azra Dawood, told Religion News Service in a recent interview at the museum. “And I’m really hoping that the exhibition surfaces some of the ways in which religion is actually a part of the city.”
Curator Azra Dawood with the “City of Faith: Religion, Activism, and Urban Space” exhibit at the Museum of the City of New York. RNS photo by Kathryn Post
With a collection of original portraits, maps and interactive installations (featuring curated scents and soundtracks), Dawood challenges New York’s nonreligious reputation, arguing that the city’s perceived secularism is really covert Protestantism. Against this backdrop — in which Protestantism dominates (via land, money and politics) and Catholic and Jewish communities have made inroads — South Asian communities can become both indistinguishable and hypervisible.
As a Muslim and South Asian woman, Dawood is personally familiar with this dynamic, and as an architectural historian, she often considers how religion shows up in concrete and visible ways.
“(Religion) is not siloed off in explicitly religious institutions, such…
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